Revision Journal #33

Posted in Media Updates, Updates with tags , , , , , , , on May 22, 2015 by mbulteau

kafei v3

Kafei’s Dream’s percussion notation is under revision. Meanwhile, more Finale files from Act II are being converted to the Lilypond format, in a process technically known as defuglification.

Revisions of Act III are going slowly, but steadily.

Concept Art

Posted in Media Updates, Updates with tags , , , , , , , , on May 14, 2015 by mbulteau

art1

Meet Kaitlin Brasfield. She will be illustrating the staging reference tome for Majora. Welcome aboard, and many thanks for joining us!

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We’ve received submissions from other artists, of which I will post the runners-up:

artRU1

artRU3

artRU2

Happy mask salesman costume design 1 RD C

A big thanks to Allison McNamee, Andrea Zevallos, Nicole Soto, Sarah Welland, Eric Keefer, Nata-Ly Pantšenko, and Stefania Zimmerman.

Video Q&A #32

Posted in Media Updates, Q&A, Updates with tags , , , , , , on May 13, 2015 by mbulteau

Video Q&A #31

Posted in Media Updates, Q&A, Updates with tags , , , , , , , on May 6, 2015 by mbulteau

Video Q&A #30

Posted in Media Updates, Q&A, Updates with tags , , , , on May 3, 2015 by mbulteau

Revision Journal #32

Posted in Text Updates, Updates with tags , , , , , , on May 3, 2015 by mbulteau

illjuststaycloseby

Upon revising Liam’s proofreading of the plot summary, I’ve fortunately arrived at a conclusion that solves a problem of stage dynamic in the love duet of Act II.

Specifically, the two-schmucks-singing-for-five-minutes-while-facing-forwards problem.

Revision Journal #31

Posted in Text Updates, Updates with tags , , , , , , , on May 1, 2015 by mbulteau

humor

One might say this is technically Python

Took three days to put together a plot summary because of reasons.

I’ve found that doing so has allowed me to distance myself from both the music and the libretto, allowing for a more general point of view on things. As a consequence, some vague details on how stage action is supposed to go have become more objective. Case in point, the climax of Kafei’s Dream is now certifiably bitchin.

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