Click to enlarge
Fellow musicians, after much discussion, we’ve come up with notation for chromatic/atonal mordents (it’s all Majora’s fault), with the solution provided by our very own Liam Greenough in the picture above.
These would completely replace the classical mordents we know from the Baroque, since frequent use has made it necessary to always specify the interval at which the ornament is.
We would like to know what you think of these, if they seem sensible and functional to you, or not. If you vote no, please also explain why in a comment, otherwise we will see no reason to count your vote.
P.S: If you’ve already voted on Twitter, please don’t vote here.