Kafei’s Dream’s percussion notation is under revision. Meanwhile, more Finale files from Act II are being converted to the Lilypond format, in a process technically known as defuglification.
Revisions of Act III are going slowly, but steadily.
Meet Kaitlin Brasfield. She will be illustrating the staging reference tome for Majora. Welcome aboard, and many thanks for joining us!
We’ve received submissions from other artists, of which I will post the runners-up:
One might say this is technically Python
Took three days to put together a plot summary because of reasons.
I’ve found that doing so has allowed me to distance myself from both the music and the libretto, allowing for a more general point of view on things. As a consequence, some vague details on how stage action is supposed to go have become more objective. Case in point, the climax of Kafei’s Dream is now certifiably bitchin.